The Masked Singer Loses Its Way, Prioritizing Spectacle Over Song
Translated & summarized from Ynet by baba
The Israeli version of "The Masked Singer" has premiered its fifth season, but critics argue the show prioritizes vocal manipulation and elaborate costumes over genuine singing talent. New judges have joined, while a strong vocalist was eliminated early, suggesting audience votes are based on appearance. The show's evolution from a simple singing competition to a spectacle is highlighted, with a bizarre segment featuring a deceased actor raising further questions about reality on television.
The story in 5 lines · by baba
- The Masked Singer's fifth season premiered on Keshet with heavy vocal manipulation.
- New judges Moshe Peretz and Bar Refaeli replaced סטטיק this season.
- Maya Buskila, a strong singer, was eliminated in the first episode.
- The show's focus has shifted to costumes and spectacle over singing quality.
- A segment featuring deceased actor Israel Poliakov aired during the broadcast.
The fifth season of "The Masked Singer" has premiered on Keshet, but the show's production is heavily manipulating contestants' voices with autotune and other effects, raising questions about its legitimacy as a singing competition. The international format, where judges guess the identities of masked singers based on their voices, is undermined by these extensive alterations. This season introduces new judges Moshe Peretz and Bar Refaeli, replacing סטטיק, who moved to "The Voice All Stars."
Adding to the show's departure from its original premise, contestant Eden Pins offered a glimpse behind the scenes, highlighting the efforts to conceal identities. The elimination of Maya Buskila, a strong vocalist, in the first episode suggests the show's focus has shifted. The article argues that the studio audience, which votes on eliminations, is swayed by the visual spectacle of the costumes rather than the singing quality, leading to the departure of more talented singers.
What began as a format for lesser-known artists to gain exposure has evolved into a lavish production with Broadway-level costumes and an aggressive hosting style. The show's producers, it seems, have prioritized the visual elements and the guessing game over the actual singing talent. The article concludes by drawing a parallel between the audience's voting behavior on the show and potential voting patterns in upcoming elections, suggesting a concerning trend of prioritizing appearance over substance.
An unusual moment during the broadcast involved a prerecorded segment featuring the deceased actor Israel Poliakov and his daughter Yael, who appeared to be buying a car. The author notes the macabre timing and suggests that if the show can manipulate reality to this extent, perhaps viewers should be skeptical of all televised content.
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