Sharon Engelhart Reflects on Her Debut Film 'Because You Are Ugly' and Its Journey to Screen
Translated & summarized from Srugim by baba
Israeli filmmaker Sharon Engelhart discusses her debut film "Because You Are Ugly," its development over seven years, and the challenges of portraying a complex adolescent in Jerusalem. She highlights the importance of casting and reflects on the intense 17-day shoot and ongoing editing process. Engelhart is now working on her second film, continuing to explore personal and societal struggles in Israel.
The story in 5 lines · by baba
- Sharon Engelhart's debut film depicts a raw, complex view of adolescence in Jerusalem.
- The film's script was developed over nearly seven years with support from Israeli and international film bodies.
- Casting Riki Reif and Uri Avinoam was crucial to the film's authenticity and success.
- Filming lasted only 17 days, followed by three months of editing in Montreal.
- Engelhart is currently working on her second film about a young woman facing challenges in Israeli society.
Sharon Engelhart's debut film "Because You Are Ugly" offers a rare, raw portrayal of adolescence and life in Jerusalem through the story of Abigail, a young woman on the brink of an officers' course who struggles with a fractured family, passion, anger, and identity. In an interview on the podcast "Cinema Q&A" hosted by Avi Lodmir, Engelhart discusses her long journey from early writing and theater studies to filmmaking and the film's development process.
Engelhart initially pursued theater but was expelled for disruptive behavior and then switched to cinema studies at Sam Spiegel Film School, where writing became her refuge. The character Abigail emerged while Engelhart worked on another set, driven by her desire to depict a more intense, angry adolescence than typically shown in Israeli cinema. The script was developed with support from the Israeli Film Fund and the Cannes Festival residency, where Engelhart refined it over five months.
Casting was crucial, with hundreds auditioning before selecting Riki Reif and Uri Avinoam, whose performances were vital to the film's success. Engelhart noted that Reif's natural gentleness initially made her doubt the portrayal of Abigail's anger, while Avinoam brought a rare mix of innocence and strength. Veteran actors Yael Abecassis and Yossi Marshak also contributed significantly, with Abecassis providing maternal support on set and Marshak becoming a father figure off-camera.
After nearly seven years of development, filming took only 17 days, a period Engelhart describes as intense and focused. Post-production occurred in Montreal over three months, but Engelhart admits she still finds it hard to fully let go of the film. Concurrently with the film's release, she is working on her second feature, "I Hate You in My Heart," about a young woman trying to save her mother and herself amid a collapsing Israeli reality, developed during a Berlin residency.
Engelhart's journey reflects a deep commitment to storytelling, starting from a blank page and evolving through persistence and creative growth.
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