Israeli Director Guy Moshe Recounts Shift in Hollywood Atmosphere After Revealing IDF Service

Israeli director Guy Moshe, who has worked in Hollywood for decades, described a noticeable shift in atmosphere during a press day for his new film, "Codename Tehran." He recounted that after mentioning his service in the Israel Defense Forces (IDF) during interviews, the mood among the young staff at the studio changed dramatically, becoming tense and distant. Moshe, who served 30 years ago in the elite Samson Unit, stated that he had initially hesitated to mention his military background, as the film itself is not political and focuses on countries betraying their soldiers. He expressed dismay that his IDF service was immediately interpreted as a sign of "jingoism," contrasting this with international acclaim for films that he feels equate IDF soldiers with Nazis.

Moshe, who has lived in the US for 29 years, discussed his transition from military service to filmmaking. He recalled being offered lucrative security jobs after his discharge but ultimately chose an artistic path. He reflected on the philosophical, non-political aspect of believing one is working for "the good guys" during his service, acknowledging the addictive feeling of invincibility that can accompany combat roles. However, he also felt uneasy about blindly following orders at age 21, which led him to pursue art.

"Codename Tehran," starring Zachary Levi and Liam Neeson, is based on a CIA urban legend about two agents hiding money in Iran after the 1979 revolution. Moshe rewrote the script to add depth, exploring themes of betrayal and the moral complexities faced by soldiers, particularly veterans disillusioned by the US withdrawal from Afghanistan. He aimed to create an entertaining yet thought-provoking film about men who have experienced war together.

Moshe detailed the casting process, highlighting his admiration for both Levi and Neeson. He described Neeson as a generous, intelligent, and sensitive professional who deeply engages with his roles. Moshe also shared his experience of securing funding and talent for independent films, drawing on his past work protecting celebrities and maintaining respectful yet confident interactions.

Reflecting on the October 7th attacks, Moshe mentioned his son's decision to move to Israel and enlist in a special unit, a choice he did not push but recognized as potentially stemming from his own background. He emphasized his commitment to making "American" films, even when drawing on his military experiences, and noted the challenges of creating nuanced cinema in a polarized environment. Moshe also expressed a desire to make films in Hebrew with Israeli actors, though he feels the Israeli film industry can be suspicious of filmmakers returning from Hollywood.