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Culture15:49 · Sep 10

Berry Sakharof's New Album Explores Deep Israeli Roots and Identity

By אפי ליפשיץUpdated 5 hours agoOngoing story · 3 updates
Translated & summarized from Globes by baba
The story · English

Berry Sakharof, a towering figure in Israeli music for over three decades, has released his new album, "Sullam Ha'ahava" (Ladder of Love), his first in 15 years. The album is being met with immense affection from his dedicated fanbase, who view him as a unique musical institution.

Sakharof's enduring appeal stems from his distinctive vocal style, which imbues everyday lyrics with a profound, almost dangerous pathos. Unlike other artists who might externalize emotion through theatricality or subtle self-awareness, Sakharof grounds his pathos through restraint, a gruff delivery, and a stoic demeanor. This approach allows him to explore grand themes without succumbing to melodrama or cliché.

The album's lyrical content draws heavily on Israeli cultural and historical references, utilizing words like "Avadim" (slaves), "Niggun" (melody/prayer), "Tikkun" (rectification), and "Bustan" (orchard). These terms carry layers of meaning, connecting to Jewish, biblical, and Middle Eastern heritage, grounding the songs in a specific Israeli context. Sakharof's syntax often mirrors ancient proverbs or verses, delivering pronouncements with a sense of finality.

Musically, "Sullam Ha'ahava" seamlessly blends Western and Eastern influences. Sakharof integrates elements of Middle Eastern modal music, particularly the harmonic minor scale, with contemporary electronic sounds, hip-hop grooves, and rock instrumentation. This fusion is not merely decorative but structurally integral, reflecting a natural synthesis of tradition and modernity. The album's soundscape emphasizes a contemplative, immersive quality, characteristic of Middle Eastern musical traditions, while electronic loops and rock riffs provide a sense of movement and innovation.

Sakharof's work offers a vision of Israeli identity where diverse elements, East and West, tradition and secularism, guitar and machine, coexist organically. The album avoids becoming mere nostalgia or folklore by incorporating modern production techniques, and its restrained pathos prevents it from becoming pompous. For many Israelis, Sakharof's music provides a sonic embodiment of their collective identity, making him both a beloved artist and a voice for their origins.

Read the original at Globes
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