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Culture19:40 · Sep 2

Noa Kirel's Violent New Music Video Sparks Public Outcry

Arutz ShevaRight
Translated & summarized from Arutz Sheva by baba
The story · English

Israeli pop star Noa Kirel has ignited a firestorm of criticism with the release of her new music video for the song 'Love Song.' The video depicts Kirel as a jealous woman embarking on a violent revenge spree against the staff of a Japanese restaurant, featuring scenes of stabbing, beatings, and blood.

Despite an "age 18 and over" content warning at the beginning of the video, social media users have lambasted the graphic violence. A primary concern raised by critics is the potential exposure of children to such content, given that a significant portion of Kirel's fanbase consists of minors.

The video's narrative follows Kirel in a Japanese restaurant, where an encounter with the hostess triggers her jealousy. This escalates into a revenge mission where she attacks restaurant employees, notably using a knife.

While the creators included a warning about violent content, many online commenters argued that the warning alone is insufficient, especially given the video's accessibility on social media platforms and Kirel's YouTube channel. "Yes, this is exactly what children in Israel need to see. More violence," wrote one user.

Others questioned the artistic necessity of the extreme violence, with one commenter asking, "Just shocking… you know very well who your target audience is. Is all this violence necessary? All the stabbings with the knife and all the blood? Ran out of ideas for videos?" Further criticism focused on the video's availability on YouTube despite the stated age restriction, with one comment stating, "Shame and disgrace! The video is up on YouTube, and the warning won't stop children from seeing it!"

Some users also linked the video's violent scenes to the broader issue of youth violence, suggesting that presenting such content to a young audience is a problematic choice during a time when violence among young people is a concern.

Read the original at Arutz Sheva
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