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תרבות07:04 · Aug 5

Alon Gur Aryeh Reflects on Making His Cult Israeli Comedy 'The Closed Institute'

מאת אבי לודמיר
תורגם ותומצת מתוך Srugim על ידי baba
The story · English

Israeli filmmaker Alon Gur Aryeh shared insights about his first film, "The Closed Institute," in a candid interview as part of a series highlighting directors' journeys from dream to reality. Originally a student graduation project, the film unexpectedly became one of Israel's most commercially successful student films, attracting around 80,000 viewers and screening in cinematheques for over a decade before evolving into a full-length feature titled "The Institute."

Gur Aryeh described the lengthy and challenging process of writing the script, which took several years during his studies and other jobs. He emphasized his passion for comedy, aiming to create an Israeli equivalent to classics like "The Naked Gun" and "Airplane!" despite the genre's rarity in Israel at the time. The film's production involved a large, dedicated team of about 200 volunteers, including friends, family, and even skeptics.

Casting was a pivotal moment, with actor Ilan Dar initially hesitant but ultimately embracing the project, later reprising his role in the feature film. The director recounted the excitement and chaos of shooting, likening filming days to a "funfair" filled with artistic victories and constant problem-solving. Editing was another crucial phase, with longtime collaborator Il Shindler helping transform raw footage into a coherent film.

The film premiered at the Jerusalem Film Festival to enthusiastic audiences, who laughed heartily throughout the screening. Over time, "The Closed Institute" developed a loyal fan base, with some viewers watching it over a hundred times. Early critical reception was mixed but ultimately supportive, with a breakthrough moment when the Tel Aviv Cinematheque agreed to screen the film, significantly boosting its profile.

Gur Aryeh reflected on the personal significance of the film as a handmade labor of love and a statement that genre cinema could succeed in Israel. He expressed a desire to continue making films that entertain and surprise audiences, hoping one day to have the resources to create intentionally bad movies for fun. The experience shaped his career and fueled his ambition to innovate within Israeli cinema.

Read the original at Srugim
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