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Hitman 7 Compilation Revolutionizes Israeli Pop Music Consumption 30 Years Ago

מאת מיקי נירון
תורגם ותומצת מתוך N12 על ידי baba
Hitman 7 Compilation Revolutionizes Israeli Pop Music Consumption 30 Years Ago
איור מערכת שנוצר על ידי baba News, לא צילום של האירוע.
The story · English

On July 9, 1996, the release of Hitman 7 marked a historic moment in Israeli pop culture, transforming how Israelis consumed music. Unlike typical summer hit compilations of the 1990s, Hitman 7 featured a perfect blend of massive hits and quality tracks, including the iconic "Tik Tik Tok," "Macarena," and "Coco Jumbo," which became known as the "holy trinity" of summer 1996. Ran Atzmon, the compilation's editor from Hed Artzi, recalled that work on the album began six months prior, focusing on predicting future hits and curating a mix that resonated deeply with the Israeli audience.

The album's success was unprecedented, officially selling 200,000 copies, though the actual number including pirated copies likely approached one million. Shlomi Shaul, who worked at the legendary Diskenter store in Dizengoff Center, described the craze as a daily dance party with Hitman CDs everywhere. The compilation's impact was so strong that competing summer collections ceased, intimidated by Hitman's dominance. Yoram Vazana, a former Galei Tzahal DJ and music executive, noted that the album's first three songs remain staples at weddings and pools to this day.

Hitman 7 was the seventh installment in a series launched in 1992 by Hed Artzi, Israel's leading record company in the 1990s. The series became synonymous with summer hits starting from its fifth volume, peaking with the seventh. The album also featured international stars like Tony Braxton, David Bowie, and Shaggy, many of whom readily agreed to participate due to the lucrative royalties. Atzmon described the compilation as a "money printer" for artists.

While Atzmon believes Hitman 7 primarily influenced consumer tastes rather than Israeli musicians, Vazana argues it introduced Israeli audiences and artists to Latin and international styles, laying groundwork for the later popularity of Latin and reggaeton music in Israel. Although Hitman 8 also enjoyed commercial success, the unparalleled impact of Hitman 7 was never replicated, with the series gradually declining until its end in 2002.

Read the original at N12
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