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Ben Tzour's Journey: From Eurovision Rejection to Spiritual Pop Stardom

By נועם כהן
Translated & summarized from Mako by baba
The story · English

Israeli singer Ben Tzour, 27, has become a prominent voice in the "Amuni" (spiritual) pop music scene, a journey he attributes to divine providence and a deep personal connection to his faith. His hit song "Abba" (Father) marked a turning point, resonating deeply with Israelis, especially after the October 7th attacks, providing solace and a sense of unity.

Tzour recalls early struggles, including a "humiliating" rejection on the reality show "The Next Star" where his screen famously did not rise. Despite this setback, he continued to create music, driven by an innate passion. His breakthrough came two years ago during a trip to Uman, Ukraine, where a spontaneous song by Rabbi Nachman's grave went viral, leading to a surge in popularity and a growing fanbase who find his music spiritually uplifting.

He describes his current fame as akin to being "Elvis Presley in Uman," constantly recognized and thanked for his music's impact. Tzour emphasizes that his spiritual growth, starting with wearing a "tzitzit" (fringed garment) and observing Shabbat, is a personal journey. He intentionally avoids wearing a kippah (skullcap) and sports a neck tattoo, believing this approach allows him to connect with a broader audience, including secular Israelis, demonstrating that one doesn't need to be strictly religious to sing about God.

The article also details a serendipitous meeting with his wife, Shira'el. After performing his song "Abba" on stage with singer Odia, Shira'el, who was grieving her father, was deeply moved. Later, Odia connected Ben Tzour with Shira'el, remarking she had found his future wife. Their subsequent meeting revealed a profound connection, including a shared name with Shira'el's late father, leading to their marriage eight months later.

Tzour also reflects on his upbringing in Safed, crediting his supportive parents for fostering his dreams and his mother's work with special needs individuals for instilling in him a sense of empathy and acceptance. He concludes by expressing his prayers for the unity and well-being of the Israeli people, soldiers, and an end to wars, alongside his personal aspirations for continued musical fulfillment.

Read the original at Mako
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