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Culture08:18 · Jul 29

Israeli Rock Legends Reunite for Nostalgic Concert at Rishon LeZion Amphitheater

By אמיר שוורץ
Translated & summarized from Ynet by baba
The story · English

A major Israeli rock concert took place at the Max Amphitheater in Rishon LeZion, described as "The Great Evening of Israeli Rock," featuring iconic artists from the 1970s to the early 1990s. The event brought together five legendary performers: Yehuda Poliker, Ehud Banai, Danny Sanderson, Tislam, and Shalom Hanoch, each delivering sets mostly composed of songs written before the assassination of Yitzhak Rabin in 1995. The concert evoked a strong sense of nostalgia, attracting an audience familiar with these classic hits from decades past.

Each artist performed for about 50 minutes, balancing the desire to showcase multiple stars with the need to keep the event manageable in length. Yehuda Poliker opened the show with early hits like "Less but Painful" and "The Shadow and I," overcoming minor sound issues. Ehud Banai followed with a mix of songs including "Today," the newest track performed, originally released in 2002. Danny Sanderson’s set highlighted his work with bands like Gazoz and Kaveret, including enduring classics such as "Goliath" and "A Thousand Firefighters."

Tislam brought a glam rock flair, performing songs like "Morning of Fun" and the politically charged "The Face of the Country," with a call for the audience to vote in the upcoming elections. The evening culminated with Shalom Hanoch, who at nearly 80 years old, demonstrated his enduring stage presence with songs like "Known Roads" and "Waiting for the Messiah," joined by his grandson Omri Keren.

The concert was praised for its smooth entry and exit despite the large crowd and for delivering a rich musical journey through Israeli rock history. While the artists have continued producing new material over the years, the audience primarily wanted to hear the classic songs that defined Israeli rock’s golden era. The event offered a rare opportunity to revisit foundational moments in Israeli music, underscoring the genre’s rich past even as its future remains uncertain.

Read the original at Ynet
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