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Reality TV Year in Review: Big Names Falter, New Shows Shine

Updated 2 hours ago
Translated & summarized from Maariv by baba
The story · English

As the Hebrew year תשפ"ו concludes, a review of the year's reality television highlights significant shifts in viewer engagement and programming success. The author, Dor Segal Albuquerque, identifies the biggest disappointments, surprising successes, and outright failures across various reality formats.

The most disappointing show of the year was the latest season of "HaAch HaGadol" (Big Brother). Despite being a flagship program for Reshet 13, it struggled with ratings, often failing to compete with other channels. The author attributes this failure to poor casting choices, prioritizing social media popularity over compelling personalities and diverse narratives. The editing was also criticized for focusing too heavily on one contestant, Gal Rubin, while neglecting other storylines. For future seasons, the recommendation is to cast a wider net of interesting individuals with clear agendas, rather than relying on a few prominent figures or social media followings, and to de-emphasize the matchmaking aspect.

Conversely, "Ahava Hadasha" (New Love) emerged as the best reality show of the year. Initially an attempt to rival Keshet's "Chatuna MeRishona" (Married at First Sight), the show evolved from a serious dating experiment into a more trashy, yet captivating, format. This shift, characterized by younger contestants and a less professional focus, proved to be its strength. "Ahava Hadasha" successfully captured the Israeli social landscape more accurately than its competitors and fostered interesting dynamics not only between couples but also among the participants themselves. The season featured compelling storylines, such as the unexpected romance between Liah Noga and Dvir Solomon, demonstrating that a blend of humor and drama can lead to successful relationships and engaging television.

The worst reality show of the year was deemed to be "The Voice." The author criticized the mentor lineup, Eden Ben Zaken, Noa Kirel, Static, and Idan Raichel, for their on-screen bickering, which detracted from the viewing experience. The treatment of contestants was also problematic, with mentors making grand promises during auditions only to eliminate many participants later. The musical performances themselves were found to be disappointing, with contestants often sounding better in their self-prepared auditions. Adding to the disappointment, a "The Voice All-Stars" season was filmed concurrently, raising concerns for the returning artists who would be subjected to the show's perceived flaws.

The review concludes with a hopeful wish for a better television year ahead, characterized by quality programming, engaging reality shows, and successful ratings.

Read the original at Maariv
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