Culture13:26 · 14m ago

Magda Festival Redefines Accessibility with Integrated Stages and Artist Inclusion

YnetCenter
Translated & summarized from Ynet by baba
The story · English

The 17th annual Magda Music Festival, held in the Megiddo Regional Council, is prioritizing accessibility not as an afterthought, but as a core element of its design. Unlike typical festivals that segregate attendees with disabilities, Magda integrates accessible viewing areas directly within the main audience, offering excellent stage visibility. This year, the festival has expanded its commitment beyond physical accommodations like ramps and accessible food carts to include performances by artists with disabilities and an accessible art exhibition.

Two prominent figures, singer Noa Ta'oz and former combat reservist Leah Keren, shared their experiences from both on and off stage. Ta'oz, who navigated a significant mental health crisis during her military service, found a creative outlet and a sense of belonging at the 'Wings Through Art' association, which supports artists with mental health challenges. She will be performing at Magda with her music groups, 'Steat Yitzan' and 'Dopamine', expressing excitement about sharing the stage with other artists.

Keren, who lives with a rare genetic muscle-wasting disease and served extensively in combat reserves, recently completed studies in accessibility consulting. Her final project focused on music festivals, leading her to Magda. She praised the festival's approach, particularly the work of Orly Sokolsky Luria, the cultural and accessibility coordinator for the Megiddo Regional Council. Keren emphasized that Magda's philosophy centers on creating an equitable experience for everyone, influencing every decision from planning and stage setup to content and physical access.

Keren highlighted that accessibility at Magda extends beyond physical barriers, encompassing inclusive content and a welcoming attitude from staff. The festival aims to provide a holistic, accessible experience, with accessible stages positioned within the crowd rather than on the periphery. This year's festival further pushes boundaries by featuring art installations and theater groups alongside music, creating an event that is both enjoyable and a model for inclusive event planning.

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