Fashion Brand's Shabbat Website Closure Sparks Marketing Frenzy
The Israeli fashion brand Adika has returned to the market with a controversial marketing strategy involving its website's closure on Shabbat, the Jewish day of rest. The brand, which had been inactive for nearly two years after incurring significant losses, relaunched its new website on a Thursday evening. By Friday, it was shut down, displaying a message stating it would reopen after Shabbat. This move, reportedly at the request of singer and brand ambassador Odia Azulai, generated immediate public debate and widespread media attention.
The decision to close the e-commerce site during Shabbat ignited discussions about religion and state in Israel, with some praising Azulai for standing by her values and others vowing to boycott the brand. The ensuing online storm and media coverage provided Adika with extensive publicity, estimated to be worth millions of shekels, effectively serving as a free launch campaign. This strategy capitalized on the deeply ingrained societal debates surrounding Shabbat observance in Israel, turning a religious observance into a powerful marketing tool.
Adika, previously owned by Golf & Co. and resulting in approximately 60 million shekels in losses, is now operating under a new iteration. The company holds a 51% stake, with the remaining 49% owned by Creative Imagination, a marketing agency headed by Yaniv Adam, father of singer Omer Adam. The brand also retains a substantial social media following from its previous iteration, with nearly half a million Instagram followers and over 300,000 on TikTok.
Azulai herself embodies the brand's complex positioning. She is a religious singer who openly discusses her faith, yet also performs in revealing attire and has faced criticism regarding the halachic prohibition of women's singing in public. Her request for the website to close on Shabbat contrasts with her continued sale of concert tickets during the same period, a point of irony highlighted by commentators. The article suggests that this calculated move by Adika and Azulai effectively leverages societal divisions for significant marketing gain, ensuring the brand's reintroduction is noticed.
The brand's previous struggles included unsold inventory valued at around 40 million shekels. The current relaunch features higher prices and a new branding strategy. The ultimate success of Adika's comeback will depend on whether the generated buzz translates into actual sales after the marketing storm subsides.
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