Israeli Tattoo Artist Shaliv Saar Shares Stories Behind Her Bold Art and Personal Struggles
Shaliv Saar, one of Israel's youngest and most successful tattoo artists, began her career at 16 and by 23 had worked in top European studios including Pardon Paris and Duo Verba. Known for her colorful, realistic style, Saar has tattooed a diverse clientele ranging from celebrities to CEOs. Her work gained national attention after tattooing 76-year-old dancer and "Dancing with the Stars" judge David Dvir with colorful SpongeBob-themed sleeves, a design inspired by Dvir's autistic grandson who finds joy in the character.
Saar’s career and art are deeply intertwined with personal and national trauma. Following the October 7, 2023 attack, she mourned the loss of her cousin Liyam Bor Galon, a combat soldier killed during the conflict. Unable to return to Israel due to the war, Saar stayed in Amsterdam, where she battled depression and found healing through her art. She has since dedicated her tattoos to victims and survivors of the attack, creating meaningful designs for trauma survivors and reservists to help them "close the circle."
In June 2026, Saar launched her first solo exhibition, "LIVE FROM THE STORM," in Jaffa’s Soho House, featuring paintings and live tattooing that honored her cousin and others lost in the conflict. The exhibit also included a surprise fashion show with custom garments designed to complement tattoos, a project realized with the help of her sister.
Despite her success, Saar faces criticism for her unconventional tattoo choices but remains undeterred, emphasizing the personal stories behind each piece. She also confronted antisemitism firsthand while working in Amsterdam, where the tattoo studio owner’s pro-Palestinian wife posted controversial content. Saar responded by openly supporting Israeli clients and using her art to share the realities of the war.
Saar’s journey reflects the role of art in storytelling and healing amid conflict, blending personal loss, cultural identity, and bold creativity in her tattoos and public work.
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